I’ve spent some time reflecting on my wonderful visit to Lárisa for the Sixth Greek Saxophone Festival. What an amazing and inspirational experience.
Yesterday was a tough day for me. I really hated that for the first time in 15 years of teaching at the Royal College of Music Junior Department I was prevented from teaching because of the weather. A combination of icy roads in my area, and the East Coast mainline advising people not to travel made it the only sensible decision.
I don't like my students missing their regular lessons and had a bit of a brainwave. Sometimes when students can't meet me, I give a lesson using Skype or FaceTime. The sound quality is quite good over FaceTime and Skype and it is the next best thing to a regular lesson. From my home in Huddersfield I decided that this might work for the students at the Royal College of Music in London. Many of my students live close to London and did make it in, so I was delighted that I was able to give some of them Skype lessons yesterday. The salsa section of Catherine McMichael's Sapphire was transported to my music studio in Huddersfield effortlessly.
In a few days time I'll be back at the beautiful Knuston Hall in Northamptonshire working on the Saxophone Course for adult players with Kenneth Wilkinson and Sarah Hind. I look forward to teaching on this course every year, but I'm usually to be found there in August. We've taken on this course at rather short notice so there have been some late nights making sure we have everything ready for the course. Kenneth and Sarah will be there from Sunday, looking after 24 saxophonists playing in ensembles from trio and quartet through to octets and a mighty saxophone ensemble. I'm arriving later in the week as I have some other things to juggle, namely my son on half term holiday and my usual university teaching (it's nearly saxophone day!) There are a couple of workshops in the week too, Kenneth has written a great jazz tune for his, and I'll be talking about how to prepare for a concert with some top practising tips and also how to control those performance nerves.
I’ve been teaching at the Royal College of Music junior department today as usual, but unusually I’m staying in London for the weekend. That’s because one of my talented students, Teddy Humphrey, is performing a recital in the Elgar Room at the Royal Albert Hall tomorrow morning as part of the classical coffee morning concert series. Teddy is a former student of James Rae and he will be playing the Sonata James wrote for me and my pianist Paul Turner for my 40th birthday concert. Teddy will be joined by two of his fellow students, Matthew and Josephine as well as me to play Iturralde’s Suite Hellanique for saxophone quartet. Teddy will also be playing pieces by Demersseman and Jolivet, pieces that helped him win his place to study at the Guildhall School of Music and Drama later this year. Teddy also studies jazz saxophone at the RCM junior department with Mornington Lockett, and he’ll be playing a arrangement by Mornington of a Sonny Stitt tune.
It was great working with Teddy and his pianist, Tony earlier today. It’s going to be a fantastic concert in the morning. https://www.royalalberthall.com/tickets/events/2018/classical-coffee-mornings-teddy-humphrey/
We have finally settled in our new home. The acoustic window for our music room was finished last week. We didn't want to annoy the neighbours, especially when we rehearse our saxophone duo, and so we came up with a brilliant idea. We got a double-glazing firm to make a window designed to keep traffic and airport noise out, but glaze it in reverse, so it bounces our noise in rather than keep external noise out. This was fitted on the inside of the window frame, with the original double-glazed window still in situ on the outside; so quadruple-glazing with acoustic laminate too. We've taken turns to stand outside the window while the other plays as loud and high as possible inside, you can hardly hear a saxophone! It's a great place to restart my private teaching practice.